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Brunialti and Brunialti explain that, after a split in the Rice-Weiner Company in 1946, Barclay Jewelry was formed, “but didn't have anything to do with Rice-Weiner or McClelland Barclay.” (A TRIBUTE TO AMERICA, p. 39) The authors further explain that the Rice-Weiner Company continued in the retail trade until 1950, and then produced jewelry for wholesalers, presumably using anonymous designers. There obviously was some cross-pollination among the designers and owners of these companies, as Mr. Mark formed the Barclay Company with Alvin and Robert Rice and was its chief designer. He could not help but bring with him some of the ideas and designs used at the Rice-Weiner Company. Even the name chosen for the new company is deliberately confusing, it seems! |
| Referring to the McClelland Barclay name, Mr. Rezazadeh remarks that “The Jeweler's Circular” lists this trademark as belonging to “Rice-Weiner & Co.”, although he does not state the year of the Circular. He suggests that Rice-Weiner “may have been the producer or acquired the trademark after Barclay's death.” (p. 111) If this is true, for how many years after his death were his designs, or those attributed to him, produced? The Barclay Company was apparently in business until 1957. Did it also use the McClelland Barclay name on any of its designs? Is it possible that the production of McClelland Barclay jewelry lasted several years longer than the five year span normally cited? These questions require a lot more sleuthing on my part! |  |
 
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The fourth group of McClelland Barclay jewelry is comprised of those pieces with no signature. Sometimes the impressed signature is very faint after years of wear, but in some cases, it is non-existent. I have a sterling lamb bracelet that is unsigned, although the matching brooch is fully signed. (And Jane Clarke, owner of the website, www.morninggloryantiques.com On the whole, though, I would be wary of buying unsigned pieces, because much of what I have seen offered online, does not appear to be genuine McClelland Barclay jewelry. The colours of the rhinestones are not right - McClelland's were limited to one shade of blue, red, green, purple, golden yellow (amber) or clear - alone or in combination. Pretty turquoise, peridot, lavender, pink and other pastel shades are Barclay signature colours, and not McClelland Barclay's. Sometimes, the design is not close enough to his, although I am amazed at how many new Art Deco and Art Moderne variations keep popping up on eBay! McClelland Barclay jewelry does not contain pearls, lacy filigree or enamel work, and although different chains and clasps were used during the period in which his jewelry was produced, here too, the range is limited and recognisable. So why were some authentic pieces unsigned? Did they mistakenly leave the factory unmarked, or is there a more sinister explanation? Again, further detective work will be required! |
| I have endeavoured, in this article, to expand upon the information contained in most costume jewelry books, about the ways in which McClelland Barclay jewelry is signed - full signature, surname only, partial signature and no signature I will be intensifying my research into his life and would welcome any anecdotes or information that readers might have about McClelland Barclay. As for the who, why, where, when questions that I posed about the production of Mac's jewelry, I feel that I am a bit like Steve following Blue's clues (a children's TV show!) A review of the pertinent issues of Women's Wear Daily and other period magazines should provide some answers. By putting all the clues together, I will have a clearer understanding of the mysteries surrounding McClelland Barclay jewelry! |
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